Essential ambient drone music. Literally takes its time.
Take your time. Got it? Then take some more. This album is the slowest of slow music. Even among drone, which is the genre, it is one of the slower entries. Single, long-stretched notes fade in and out for literally minutes. In a sense, this soundscape realises what trance music promises. Low volume and background listening are crucial for enjoyment…
Extremely shoe-gazy, ambient progressive or even post rock. Percussion only starts for the finale. Amazement during the intro.
Knoxband is the ambient post rock project by artist Vru Patel, whose albums always incorporate airy, vast, even stellar soundscapes. While this review highlights the start of this musical journey, give the appropriately named Solstice a try to see where his sound landed three years later. But first, have the appetizers:
Cinematic electronica with little percussion, but lots of atmosphere.
While I cannot recommend you to watch the movie this album is the original score to, I very much endorse its soundtrack. To paraphrase, the “documentary” is either a very crude joke or a blunt hoax by an internet celebrity. But under the ludicrous voice track, there is an ambient electronic masterpiece by Professor Kliq.
Soothing ambient goodness. Almost acoustic bubble-bath
This ambient masterpiece has been released by still active netlabel Dewtone back in 2005, but has dropped out of their official back catalogue since then.
Fortunately, archive.org did, well, archive this gem for us. 2 of the 9 relaxing tracks make it into my review. But it is the full release you should be treating yourself with. As another reviewer there put it:
In all, an absolutely beautiful work to be placed along with your finest ambient recordings.
Intense drone music. Slowly pulsating synth chords; delivering loads of spacey space sound.
Drone music is a dish best served at low to medium volume in a dimmed room. Headphones are a plus, but not necessary. Relaxing or comforting activities become twice as effective. I generally can recommend Stellardrone’s other works if you are a friend of this genre. Continue reading “Stellardrone –  Sublime”
Friendly ambient electronica. If Minecraft would have another soundtrack, this EP could set the style.
Ambient music is hard to discover for me: while I am in the mood for exploration, I tend to favour louder and more immediately “gratifying” productions. This EP released at a Portuguese netlabel focused on Japanese music – yes, apparently that’s a thing – MiMi Records. Here, calm bleeps create an ambience very conducive to relaxing activities. Continue reading “Seki Takashi –  Night City”
Spacetime drones. Long-stretched synthy soundscapes for late-night orbital flights.
Put this onto your ears if you want to beat silence, yet not distract you from whatever you are doing otherwise. The album does a great job of catching you mid-thought, making you realise how cool the sounds sound that you were not listening to, and letting you of the hook not a full minute later. Best consumed after sunset, in a darkened room, while you shake off a busy day. Continue reading “Derek Nigell –  Heartbeat of the Universe”
Frosty ambient IDM with class. Very versatile EP with fully ambient to almost danceable tracks. A real classic, published at Kahvi.
Back in 2009, I started this series of reviews with Coax’s The Ice Garden. Ever since, I was hesitant to write another review on the same artist. But I have done so multiple times over the years now, so it’s time to finally break the spell and give Coax their second review. Their music deserves it, after all: frosty, ambient IDM, released at the notorious Kahvi netlabel, well known for delivering quality electronica by truck. Continue reading “Coax –  Aeons”