Quintessential drone music. Perfect for recreational relaxation, not for busy workouts.
Not much can be found online about netlabel 1834. It curates a collection of long form ambient drone recordings. Most probably stem from live performances. I bring you here catalogue no. ET-047. The vibrant and colourful cover art already prepares you correctly what you can expect sonically from this release:
Rather experimental ambient electronica, but hear me out. Songs that work as songs, but will stick out in your collection.
Most experimental albums fall into the trap of trying to be too innovative for their own good. Akey avoids this elegantly by using well established song structures. Instead, the experiments involve voicing, odd harmonies and occasional use of noise; all this is always in strict service of a clear emotion, or, feeling. My two picks are:
Short like an EP, full like a compilation. Uplifting ambient electronica at its best.
A short album, but varied like a compilation: 6 tracks, 3 of which are compilations, and 2 remixes make this a small festival in all things ambient electronica. It marked the end of a three year hiatus. And what a bombastic, I mean, relaxing, way to do that. If you have not yet Planet Boelex on your mental shortlist for acoustic bubble baths, here is your ticket:
Essential ambient drone music. Literally takes its time.
Take your time. Got it? Then take some more. This album is the slowest of slow music. Even among drone, which is the genre, it is one of the slower entries. Single, long-stretched notes fade in and out for literally minutes. In a sense, this soundscape realises what trance music promises. Low volume and background listening are crucial for enjoyment…
Extremely shoe-gazy, ambient progressive or even post rock. Percussion only starts for the finale. Amazement during the intro.
Knoxband is the ambient post rock project by artist Vru Patel, whose albums always incorporate airy, vast, even stellar soundscapes. While this review highlights the start of this musical journey, give the appropriately named Solstice a try to see where his sound landed three years later. But first, have the appetizers:
Cinematic electronica with little percussion, but lots of atmosphere.
While I cannot recommend you to watch the movie this album is the original score to, I very much endorse its soundtrack. To paraphrase, the “documentary” is either a very crude joke or a blunt hoax by an internet celebrity. But under the ludicrous voice track, there is an ambient electronic masterpiece by Professor Kliq.
Soothing ambient goodness. Almost acoustic bubble-bath
This ambient masterpiece has been released by still active netlabel Dewtone back in 2005, but has dropped out of their official back catalogue since then.
Fortunately, archive.org did, well, archive this gem for us. 2 of the 9 relaxing tracks make it into my review. But it is the full release you should be treating yourself with. As another reviewer there put it:
In all, an absolutely beautiful work to be placed along with your finest ambient recordings.
Intense drone music. Slowly pulsating synth chords; delivering loads of spacey space sound.
Drone music is a dish best served at low to medium volume in a dimmed room. Headphones are a plus, but not necessary. Relaxing or comforting activities become twice as effective. I generally can recommend Stellardrone’s other works if you are a friend of this genre. Continue reading “Stellardrone –  Sublime”