Calm and deliberate electronica backdrop. Not fighting for your attention, earning it just the more for it.
Not much has been written online about this nice & short EP. All tracks feature their own catchy main theme, which then develops into about five minutes of slightly derivative pleasant background music. There are no excited guitar solos, dramatic bass drops or seductive vocals. Just plain, good, honest electronica straight from the producer.
Continue reading “Klangwald – [2012] Tolerance & Courage EP”Cinematic downtempo electronica. Could be a sci-fi soundtrack, just lacks a movie.
Movie soundtracks fall into a nice niche between classical and ambient music. This album adds a bit of electronic finesse to this formula. If you want to add a bit of cinematic splash to your musical diet, give this album a try. Emotional string sections meet orchestral and electronic beets. The occasional clicky-bleep sounds add to a slightly futuristic vibe.
Continue reading “Everlasting Dream – [2011] Echoes From the Future”Essential post rock compilation series. Spans a huge range from almost classical to jazzy territory.
This compilation more than most rewards front-to-back listening. Much care has gone in arranging the tracks “in order”. Thus it hurts me more than usual to only rip two tracks out of context. So if you can find pleasure in those, the 9 other track in between warrant their long duration (over 6 minutes on average).
Continue reading “Various Artists – [2006] The Silent Ballet, Volume II: Acquiescence and Oblivion”Versatile trip hop compilation. From ethnic ambient to catchy pop rock, all genres may apply.
Over 5 years after my review on Fusion Compilation 8, I return to this netlabel with their most recent instalment to the series. Comparing both compilations back to back highlights how professional the free music scene has become during the course of the decade: all ten tracks have major-label grade production, crisp recording and tight arrangements. Which tracks am I gonna highlight?
Continue reading “Various Artists – [2019] Fusion Compilation 12”Cinematic electronica with little percussion, but lots of atmosphere.
While I cannot recommend you to watch the movie this album is the original score to, I very much endorse its soundtrack. To paraphrase, the “documentary” is either a very crude joke or a blunt hoax by an internet celebrity. But under the ludicrous voice track, there is an ambient electronic masterpiece by Professor Kliq.
Continue reading “Professor Kliq – [2011] Athene’s Theory of Everything OST”Ice-cold dub techno, the gin tonic of music. Edgy synths, minimal harmonies, and subdued percussion.
Dub techno is not for every day. It has a distinct lack of mood, neither happy nor sad. Then there’s the minimal harmonies, the long-form stretches of monotonous monotony. So what’s to like? Actually, I don’t really know. But on certain days, the meditative nature, the lack of a clear mood, and the analytical sound just work.
Continue reading “Brk – [2015] IIIIII”Clicky, surprisingly upbeat deep house from Mainz, with one or two experimental slippages.
This vintage collection of rather minimal danceable tracks does not compromise on its concept to please. Dry clicks and noisy effects are sprinkled liberally across the whole 12-track ensemble. But that playfulness in texture is well balanced by minimal harmonies and repetitive (not to say catchy) song structures.
Continue reading “Various Artists – [2007] Classic Accidents”Antique pop compilation. From the rather early days of high quality free music publishing.
At the time, trying to publish music outside the traditional channels (music labels) was still quite out of the ordinary. No Bandcamp, no Jamendo, no Free Music Archive. All those only came to life during the last 10 years. If you this release’s style, have a listen to the curators other compilations, mixes and podcasts, all neatly stored for our future pleasure. But now, lend my two picks an ear (or two):
Continue reading “Various Artists – [2007] Share It Spread It Love It”Intriguing blend of rock and mild doses of electro served with great vocals.
Only 6 tracks, but hard to pin point in genre space. Eclectic rock could be a way to describe it.
Airy and light sound, blended with occasional patches of electro or more exotic sounds, makes for a great variety.
(Past) owners of a 8 or 16 bit gaming console can apply here for a shower of fond memories.
This album has seen the light of day on an artist collective’s account named Gluteus Maximus, from Sweden.
It strongly reminds me of Hardstroke‘s electro-synth sound, but has its own edge by adding more 8-bit bleeps to the mix. Heavy pop nostalgia ahead!
