Exceptional pop compilation. The fabulous series does it yet again…
Again it’s time to honour one of the more than 50 episodes of the netBloc series.
Like usual, two tracks are far to few to cover all the gems in this release. Like usual for a blocSonic release, it covers a broad range of popular music genres, ranging from alternative rock, to easy listening to instrumental hip hop.
History-rewriting compilation. Diverse selection of popular CC music from the era.
This release is a replacement (a whitewash) of previous netBloc Vol. 34 about ccMixter, which had to be redacted for some reason which is not completely clear to me to today. I was just surprised that my recollection, download and album art to this release did not match what is currently online… Bad for me, bad good for you. The whitewash has definitely not worse music than the original… Continue reading “Various Artists –  netBloc Vol. 34: The Whitewash”
Echoes of pop grandeur. 80’s synth-pop sends best wishes to a fresh take in the new millenium.
This is a two-track single release on notorious (as in: good) netlabel blocSonic. In the description to the artist’s previous release, they described their music as “a blend of trip-hop, soft-rock, retro-pop and cinematic soundtracks”. I tend to agree. Read on for a full description of all (as in: two) tracks. Continue reading “Marco Mestichella –  Fragments Of Light”
Acoustic vocal indie pop. This gem from French-Finish duo Eva & Manu has unfortunately been de-published by the creators from the original sources, but the archive.org mirror is still up. And thanks to the nature of Creative Commons license, I can be sure that it remains legal to download the original EP. Four songs long, it contains at least two hits.
Ambient guitars. Many of them. Strange, uncommon harmonies that sound uncannily familiar. Multiple acoustic guitars, all recorded by Fred Baty (aka Crepusculum), create a rich soundscape. Rhythmic chords and melody patterns render percussion unnecessary. Continue reading “Crepusculum –  Sing on in Silhouettes”