Collector-curated compilation of 4 years of electronic music from Scott Altham’s ccMixter profile.
This review is special in that I am the curator of this grandiosely named Anthology. I stumbled upon Scott’s ccMixter profile, where he publishes single tracks, whereas I am a stubborn collector of proper releases. So what to do? His using a Creative Commons license allowed me to create a collection of my favourite tracks from his profiles, uploading it to the Internet Archive. I felt bad about reviewing then, but 7 years later I think I owe it to the artist to publicize his work. It is a bit weird to select my favourites among a pre-selected collection, so I let my usual restriction slip and hit you with not 2, not 3, but whopping 4 tracks:
Continue reading “Scott Altham –  Scott Altham Anthology”
Straightforward trance. No-frills, no female vocals, just beat, bass, synth and simple melodies.
This one is from the good old days of Jamendo attracting thousands of aspiring artists and thus churning out albums in popular genres left and right.
Before, the free music scene (at least in my impression back then) had been mostly dominated by experimental artists. With discovering Jamendo, that impression changed dramatically.
In short, expect very conventional trance music, straight from the rulebook.
Continue reading “2Invention –  In Aeternum”
Manifesto of a dead netlabel. Long live Starquake!
Starquake was an active netlabel from 2011 to 2015. During that time, it was dedicated to promote music by their creators and DJs in Torino, Italy. Although short-lived, their music remains an important contribution to the Creative Commons music catalogue for me. Continue reading “Various Artists –  Quaking Stars”
Unforgiving hard trance. Take upeat house, remove unecessary vocals, keep just the beats.
Following up on my plan to review more from Bump Foot’s catalogue, I dig through over a decade of electronic music. This release could stand up in a fight against Juno Reactor and Paul Oakenfold – if music were a competitive combat sport, that is. Continue reading “AKU –  Insomnia”
Space’y lounge trance. Spacious synth walls, filled with slow beats.
This release has probably similar roots as the more well known music project Symphony of Science, which releases tracks and remixes focused on scientific topics. (Note to self: queue a review for that.) Where was I? Ah yes, this release focuses on pulsating synthesizer sounds and soft percussion. Some songs go a little overboard, but on balance the tracks are well behaved. Judge for yourself with my two favourite picks: Continue reading “Graham Castronovo –  A Cry Into The Cosmos”
Monotonic, minimal trance. Evokes unconscious head nodding; its creator calls it “hypnotic”. No experiments.
I usually only listen to trance music when doing something else, like programming or reading. There are no lyrics, no fast changes, nothing which would distract me. Yet I can notice the rhythm, the pace, which I find somehow relaxing. This release is a prime example of that type of music, released on Digital Diamonds. Continue reading “Floating Machine –  Convergence EP”
Reference for Goa & Psy Trance compilations. Monotonous? Yes. Endless beets? Absolutely. Simplistic harmonies? Very much so! If you can with these “deficiencies” of the genre, this release will be an enjoyable ride for your ears. While the music does not offer too much detail to the conscious listener, but is great for recreational, background or serious dancing situations. Continue reading “Various Artists –  These Boots Are Made For Stomping”
Classic trance with marvellous vocals. The German netlabel Kreislauf publishes electronic dance music. This release contains 13 tracks of dance floor filling, four-on-the-floor beats. No experiments, but the production quality speaks for itself: Continue reading “Project Channel 2 –  Infamous Trance Impressions – Chapter One”
If you don’t like ten minute long, plain psy trance with straight beats and meditative repetitiveness, don’t read on. The shortest piece in this 5-track EP is almost 7 minutes long, so be warned. Still here? Good, because Kliment has created a release of intriguing production quality. The music is neutral to uplifting. Motives are slowly developed over the course of minutes. I like to hear this kind of music while coding (routine) programs. Two favourite tracks and the download link are below. Continue reading “Kliment –  Time Revision A”