Cinematic electro grandeur. Located somewhere between movie trailer oomph and ambient big beat electro, there is a small Flatpad EP. Only four tracks long, it covers 30 minutes with unusual yet tasty tunes. Fat bass lines and thick beats reign supreme, but vocal samples and synth pads create some ambience. Continue reading “Point – [2014] Flatpad EP”
80’s Pop with New Wave. Having proven their disco-suitability with their previous release (review of The Easton Ellises – [2011] EP One) at netlabel Enough Records, this sequel comes as a pleasant surprise. Without deviating from the success recipe, this EP delivers danceable music by truck. Continue reading “The Easton Ellises – [2012] EP Two”
Not conventional music for not conventional people is the tagline of Hunter Netlabel, specialising in electronic ambient music. This week’s release is from artist Tearsfallen: atmospheric, space movie soundtrack. It also reminds me a bit of the soundtrack of the Portal video game series. Cold and technique ambient sounds-capes, well stirred by urging drum patterns. Cinematic in structure, this release is great for nightly commutes. Continue reading “Tearsfallen – [2012] A Deeper Sense of Nothingness”
Take 80’s Pop, add New Wave à la Poni Hoax, stir and serve on a dimly lit dance floor. That’s a rough verbal description of the début release of The Easton Ellises at Enough Records.
Five distinct songs with catchy riffs and great production are packed into this twenty minute long EP. Read on for a preview of two tracks to get you started. Continue reading “The Easton Ellises – [2011] EP One”
