Sour popsicle assortment of fruity music ranging from dance to weird.
Wow, this one’s old. And good. A treasure trove straight from the (now) good old age of netaudio. Leaning into the eclectic and slightly experimental, this compilation gathers a colourful ensemble of unique styles, from accessible and groovy to outright bizarre. Yet all tracks remain digestible to the uninitiated ear. If you are in for a one hour of very creative yet edgy music, give this release a go.
Continue reading “Various Artists –  An Hour Of EMCradio”
Acoustic landscape paintings. 4 variations on their themes, smooth and cold, yet warm at the same time.
I seem to be in an ambient review mood lately. So let me make the most of it and bring you yet another rather old gem of the good old days of the genre.
Where other ambient artists fall into the trap of simply sounding dull and repetitive, Motionfield adds just enough progression to keep the soothing tracks interesting.
Continue reading “Motionfield –  Music for Pictures”
Lavish dance tracks. Old-school underground house from the ’00s.
Not much is written online about netlabel Bevlar, that has published music from 2004 to 2007. If you like the following tracks, it might be worth for you to hunt through their back catalogue of about three dozen releases. Or just wait for me to review my favourite releases in time… Continue reading “Various Artists –  We Are Bevlar 2”
Rough indie rock & roll. Simple, straight-up songs without bells & whistles, but with guitar & drums.
Electronic music is rather easy to find online. Good, honest and analogue music is much harder to find. Therefore, it’s great to even find cool, classic rock & roll music. This 4-track EP sounds much older than it is. (Yes, this was a compliment.) Continue reading “The Dots –  The Dots”
Netlabels come and go, artists stay. This gem of a release was originally released at now defunct label Candy Mind. Its site is offline, domain gone, yet thanks to archives, we can still enjoy its original releases. In this case, though, the artist has salvaged their releases on BandCamp (and added many more over the last years). It contains 8 quirky, yet highly musical tracks: Continue reading “Psilodump –  The Night I Lost You All You All”
Radio-compatible guitar pop rock. Three relaxed songs from Sweden.
The guitar chords come easily with this release, as well as the snares and drums. The arrangements don’t win prizes for originality, yet are crafted with such care that you can even forgive them with opening with the played-to-death four-chord progression. But judge for yourself whether this is for you. Continue reading “Emerald Park –  Reality Bites EP”
Simple dancefloor loops. Not winning awards for subtlety, this EP knows how to create catchy loops.
Dedicated to a solid bassline, catchy rhythm and tunes, this release by Mexican house producer Galavis, originally released at the now (seemingly) inactive Konfort netlabel, does not rely on window dressing. No chord progressions, no overwhelming sound effects. Instead, the music focuses on the key ingredients of the genre. Continue reading “Galavis –  Not Enough”
Instrumental progressive rock at its best. This over 10 year old album by JT Bruce contains just over one hour of meticulously produced music. No lyrics, but attention to detail throughout the 16 tracks. If you like this classic, you might also enjoy his 2015 release Vandal of Fortune (Jamendo). Continue reading “JT Bruce –  Anomalous Material”
Reference for Goa & Psy Trance compilations. Monotonous? Yes. Endless beets? Absolutely. Simplistic harmonies? Very much so! If you can with these “deficiencies” of the genre, this release will be an enjoyable ride for your ears. While the music does not offer too much detail to the conscious listener, but is great for recreational, background or serious dancing situations. Continue reading “Various Artists –  These Boots Are Made For Stomping”
Edgy techno dance music. Berlin artist Addictive is brought to us by the renowned Italian techno netlabel Sostanze Records. 7 tracks, each more than 5 minutes long, speak for themselves: endless beats and slow transitions. Continue reading “The Additive –  The Additive”