Digestible microsampling. Hundreds of millisecond-long snippets, beautifully arranged, form a danceable melange.
This artists knows how to create a distinct sound, that you will be able to recognise, even after just hearing it for once. I guess that producing these arrangements, made from hundreds of tiny sound samples, must be quite laborious. But the effort pays off in a discernible, groovy end result that you certainly won’t forget. Continue reading “Ramacod –  Fang”
There are times you need punchy beets, strong rhythm, catchy tunes and a sing-along chorus. This album has none of these. Instead, it features lack of beats, only subtle rhythm, uncatchy, drawn-out tunes and no chorus. In short, this music is not intended to be listened to as a primary activity. Rather, it is perfect to accompany situations in which most other music would be distracting: concentrated reading, meditation, or — now that I think of it — writing blog posts… Read on for almost two hours of such music Continue reading “Wings Of An Angel –  Vain Crescent”
Dreamy soundscape. Fairytale forest ambiance, masterfully crafted.
When I first encountered this release over ten years ago, I did not like it right away. I just was not yet prepared to accept something this non-musical as background ambience. But if you accept that good background “music” does not have to follow a traditional song structure, you’re in for a hell of a ride. So, darken your room, lower the volume and do something else while this 74 minute track teleports you into an enchanted forest… Continue reading “Djinnestan –  Rain 1”
Glitch-craft ambient. Beautiful electro sound, aiming at the space between C148’s Minecraft and soft, minimal synth quirkiness.
More than a year after I received this public review suggestion on my blog’s About page, I finally got into the right mood for reviewing this quiet gem. If you search for uplifting power pop music, stop right here! If you seek a calm and subtle delight, read on. Continue reading “Golden Grey –  Awaken the Wolf”
Portuguese electro ambient guitar. Excellent mostly instrumental guitar and contrabass, just with a tiny bit of electronic ambience in the background. The release for me has an incredibly intense cinematic touch. Highly recommended for headphones to capture the subtle effects. Already a modern classic, I would say. Continue reading “M-PeX –  Carianae”
Meditative psychadelic rock. Ok, the release notes advertise this as Pop, “without a shadow of doubt”. I tend to disagree, but what do words matter? For a change, I’ll discuss three of the release’s 7 tracks.
Continue reading “Eye –  Plays”
Classic netaudio sampler. Nowadays, netlabel Acroplane release new albums on Bandcamp. Unfortunately, they did not move all their releases there. Fortunately, their back catalogue is archived at my favourite well-known place. This compilation has 18 diverse tracks from chiptunes over breakcore to glitchy IDM. Continue reading “Various Artists –  Netaudio 2009 – Acroplane and The Centrifuge”
Folkish exotica indiepop. Sort of. Meh, this release hates to be squashed into three descriptive words. Are it the skewed notes (like MGMT), the torn vocals (like indie pop sounds today) or the exotic ukulele and beach sounds, that make this task so difficult? I can’t tell. In order not to confuse you too much, I only preview my favorite track from this release: Continue reading “The Rare Plants Garden –  The Rare Plants Garden”
Analogue reinterpretation of a legendary console game soundtrack. With almost 400,000 downloads from the Internet Archive servers), this release is of the classic gems of free music. Multi-instrumentalist XOC took the effort of precisely reproducing the original score for the SNES game Super Mario World, instrument by instrument, track by track. By using real instruments instead of an old sound chip, the sound changed from bleepy synthetic to a wooden, used aesthetic. Hear for yourself: Continue reading “XOC –  Super Mario World”
Why always stick to the boring, twelve-halftones-per-octave, well-tempered diatonic scale? That’s what Wendy Carlos (creator of the soundtrack for Stanley Kubrick’s masterpiece Clockwork Orange) might have thought when inventing his muscic scales Alpha, Beta, Gamma and Delta.
Carlo Serafini took the Gamma scale, tune his guitar and recorded nine songs with this tuning. The sound is strangely familiar, yet uncommon and irritating. Better listen and find out yourself… Continue reading “Carlo Serafini –  Gammatar”