Ramacod – [2017] Fang

Digestible microsampling. Hundreds of millisecond-long snippets, beautifully arranged, form a danceable melange.

This artists knows how to create a distinct sound, that you will be able to recognise, even after just hearing it for once. I guess that producing these arrangements, made from hundreds of tiny sound samples, must be quite laborious. But the effort pays off in a discernible, groovy end result that you certainly won’t forget. Continue reading “Ramacod – [2017] Fang”

Wings Of An Angel – [2016] Vain Crescent

Excellent quiet ambient.

There are times you need punchy beets, strong rhythm, catchy tunes and a sing-along chorus. This album has none of these. Instead, it features lack of beats, only subtle rhythm, uncatchy, drawn-out tunes and no chorus. In short, this music is not intended to be listened to as a primary activity. Rather, it is perfect to accompany situations in which most other music would be distracting: concentrated reading, meditation, or — now that I think of it — writing blog posts… Read on for almost two hours of such music Continue reading “Wings Of An Angel – [2016] Vain Crescent”

MEDL4 – [2017] Anima Mundi

Bassy classy instrumental hip hop. Vocal samples introduce each song, but then instrumental samples reign.

This blog has seen its fair share of releases from netlabel Dusted Wax Kingdom. Somehow, they manage to consistently select for artists that produce the label’s signature sound of vintage sound samples, mixed with contemporary beats and effects. So does this recent album by MEDL4. Continue reading “MEDL4 – [2017] Anima Mundi”

Djinnestan – [2004] Rain 1

Dreamy soundscape. Fairytale forest ambiance, masterfully crafted.

When I first encountered this release over ten years ago, I did not like it right away. I just was not yet prepared to accept something this non-musical as background ambience. But if you accept that good background “music” does not have to follow a traditional song structure, you’re in for a hell of a ride. So, darken your room, lower the volume and do something else while this 74 minute track teleports you into an enchanted forest… Continue reading “Djinnestan – [2004] Rain 1”

Zifhang – [2017] Two Worlds

Vintage trip hop. Old music samples, forming auditory dioramas above contemporary beats.

Netlabel Dusted Way Kingdom is a reliable supplier of (instrumental) hip hop music. This release even leans towards trip hop sound (think: early Massive Attack), while not forgetting to sport slow, fat beets. Continue reading “Zifhang – [2017] Two Worlds”

Bluevet – [2014] Believers

Recreational electronic beats. Unobtrusive chord patterns and subdued melodies.

Netlabel Discos Confort specialises in House music styles, featuring multiple artists and DJs. This release by Mexican DJ Bluevet is one of the more silent pieces. I wouldn’t call it ambient, but it does for some indie flavoured background music. Continue reading “Bluevet – [2014] Believers”

Floating Machine – [2017] Convergence EP

Monotonic, minimal trance. Evokes unconscious head nodding; its creator calls it “hypnotic”. No experiments.

I usually only listen to trance music when doing something else, like programming or reading. There are no lyrics, no fast changes, nothing which would distract me. Yet I can notice the rhythm, the pace, which I find somehow relaxing. This release is a prime example of that type of music, released on Digital Diamonds. Continue reading “Floating Machine – [2017] Convergence EP”

Golden Grey – [2016] Awaken the Wolf

Glitch-craft ambient. Beautiful electro sound, aiming at the space between C148’s Minecraft and soft, minimal synth quirkiness.

More than a year after I received this public review suggestion on my blog’s About page, I finally got into the right mood for reviewing this quiet gem. If you search for uplifting power pop music, stop right here! If you seek a calm and subtle delight, read on. Continue reading “Golden Grey – [2016] Awaken the Wolf”

Tony Mahoney – [2013] Dark Blue

Faux antique trip hop. Twenty songs, over one hour of vinyl samples, including dust specks, enhancing the faux antique sound, replaying against the backdrop of subtle modern beats. Great instrumental hip hop with trip hop influences. The tracks are loopy on the surface, but the repetitions slowly evolve time, new samples fading in or out throughout. Continue reading “Tony Mahoney – [2013] Dark Blue”

Various Artists – [2010] The Best Creative Commons Music Moments 2010

Huge multi-genre compilation. Electro, dance, acoustic vocal pop, all represented in exquisite detail. A good year to choose from.

A Best Of album representing all free music released last year… that sounds ambitious. Phlow magazine tried it anyway. While I am hesitant that this monster of a compilation really includes all great tracks from last year, there are many tracks I would have missed otherwise. So as usual I selected some tracks which I think you should have heared. The complete release contains over 100 songs, so this selection by far cannot cover all genres. Continue reading “Various Artists – [2010] The Best Creative Commons Music Moments 2010”